داستان کوتاه A Municipal Report صفحه 4

Here I first saw Major (by misplaced courtesy) Wentworth Caswell. I knew him for a type the moment my eyes suffered from the sight of him. A rat has no geographical habitat. My old friend, A. Tennyson, said, as he so well said almost everything:

'Prophet, curse me the blabbing lip,
And curse me the British vermin, the rat.'

Let us regard the word 'British' as interchangeable ad lib. A rat is a rat. This man was hunting about the hotel lobby like a starved dog that had forgotten where he had buried a bone. He had a face of great acreage, red, pulpy, and with a kind of sleepy massiveness like that of Buddha. He possessed one single virtue - he was very smoothly shaven. The mark of the beast is not indelible upon a man until he goes about with a stubble. I think that if he had not used his razor that day I would have repulsed his advances, and the criminal calendar of the world would have been spared the addition of one murder.
I happened to be standing within five feet of a cuspidor when Major Caswell opened fire upon it. I had been observant enough to perceive that the attacking force was using Gatlings instead of squirrel rifles; so I side-stepped so promptly that the major seized the opportunity to apologize to a non-combatant. He had the blabbing lip. In four minutes he had become my friend and had dragged me to the bar.
I desire to interpolate here that I am a Southerner. But I am not one by profession or trade. I eschew the string tie, the slouch hat, the Prince Albert, the number of bales of cotton destroyed by Sherman, and plug chewing. When the orchestra plays Dixie I do not cheer. I slide a little lower on the leather-cornered seat and, well, order another Wüurger and wish that Longstreet had - but what's the use?
Major Caswell banged the bar with his fist, and the first gun at Fort Sumter re-echoed. When he fired the last one at Appomattox I began to hope. But then he began on family trees, and demonstrated that Adam was only a third cousin of a collateral branch of the Caswell family. Genealogy disposed of, he took up, to my distaste, his private family matters. He spoke of his wife, traced her descent back to Eve, and profanely denied any possible rumour that she may have had relations in the land of Nod.

The cities are full of pride,
Challenging each to each -
This from her mountainside,
That from her burthened beach.
R. KIPLING.

Fancy a novel about Chicago or Buffalo, let us say, or Nashville, Tennessee! There are just three big cities in the United States that are 'story cities' - New York, of course, New Orleans, and, best of the lot, San Francisco. - FRANK NORRIS.

EAST IS EAST, and West is San Francisco, according to Californians. Californians are a race of people; they are not merely inhabitants of a State. They are the Southerners of the West. Now, Chicagoans are no less loyal to their city; but when you ask them why, they stammer and speak of lake fish and the new Odd Fellows Building. But Californians go into detail.

Of course they have, in the climate, an argument that is good for half an hour while you are thinking of your coal bills and heavy underwear. But as soon as they come to mistake your silence for conviction, madness comes upon them, and they picture the city of the Golden Gate as the Bagdad of the New World. So far, as a matter of opinion, no refutation is necessary. But, dear cousins all (from Adam and Eve descended), it is a rash one who will lay his finger on the map and say: 'In this town there can be no romance - what could happen here?' Yes, it is a bold and a rash deed to challenge in one sentence history, romance, and Rand and McNally.

NASHVILLE. - A city, port of delivery, and the capital of the State of Tennessee, is on the Cumberland River and on the N.C. & St. L. and the L. & N. railroads. This city is regarded as the most important educational centre in the South.

'I have been "Bellforded" so often,' I said, 'that it has lost its edge. Still, in the end, it may grow wearisome. Would you be willing at all to entertain the hypothesis that my name is Edward Pinkhammer, and that I never saw you before in my life?' Before the man could reply a wailing cry came from the woman. She sprang past his detaining arm. 'Elwyn!' she sobbed, and cast herself upon me, and clung tight. 'Elwyn,' she cried again, 'don't break my heart. I am your wife - call my name once - just once! I could see you dead rather than this way.' I unwound her arms respectfully, but firmly. 'Madam,' I said severely, 'pardon me if I suggest that you accept a resemblance too precipitately. It is a pity,' I went on, with an amused laugh, as the thought occurred to me, 'that this Bellford and I could not be kept side by side upon the same shelf like tartrates of sodium and antimony for purposes of identification. In order to understand the allusion,' I concluded airily, 'it may be necessary for you to keep an eye on the proceedings of the Druggists' National Convention.' The lady turned to her companion, and grasped his arm. 'What is it, Doctor Volney? Oh, what is it?' she moaned. He led her to the door. 'Go to your room for awhile,' I heard him say. 'I will remain and talk with him. His mind? No, I think not - only a portion of the brain. Yes, I am sure he will recover. Go to your room and leave me with him.' The lady disappeared. The man in dark clothes also went outside, still manicuring himself in a thoughtful way. I think he waited in the hall. 'I would like to talk with you a while, Mr. Pinkhammer, if I may,' said the gentleman who remained. 'Very well, if you care to,' I replied, 'and will excuse me if I take it comfortably; I am rather tired.' I stretched myself upon a couch by a window and lit a cigar. He drew a chair near by. 'Let us speak to the point,' he said soothingly. 'Your name is not Pinkhammer.' 'I know that as well as you do,' I said coolly. 'But a man must have a name of some sort. I can assure you that I do not extravagantly admire the name of Pinkhammer. But when one christens one's self, suddenly the fine names do not seem to suggest themselves. But suppose it had been Scheringhausen or Scroggins! I think I did very well with Pinkhammer.'

Old Behrman was a painter who lived on the ground floor beneath them. He was past sixty and had a Michael Angelo's Moses beard curling down from the head of a satyr along the body of an imp. Behrman was a failure in art. Forty years he had wielded the brush without getting near enough to touch the hem of his Mistress's robe. He had been always about to paint a masterpiece, but had never yet begun it. For several years he had painted nothing except now and then a daub in the line of commerce or advertising. He earned a little by serving as a model to those young artists in the colony who could not pay the price of a professional. He drank gin to excess, and still talked of his coming masterpiece. For the rest he was a fierce little old man, who scoffed terribly at softness in anyone, and who regarded himself as especial mastiff-in-waiting to protect the two young artists in the studio above. Sue found Behrman smelling strongly of juniper berries in his dimly-lighted den below. In one corner was a blank canvas on an easel that had been waiting there for twenty-five years to receive the first line of the masterpiece. She told him of Johnsy's fancy, and how she feared she would, indeed, light and fragile as a leaf herself, float away when her slight hold upon the world grew weaker. Old Behrman, with his red eyes plainly streaming, shouted his contempt and derision for such idiotic imaginings. 'Vass!' he cried. 'Is dere people in de world mit der foolishness to die because leafs dey drop off from a confounded vine? I haf not heard of such a thing. No, I vill not bose as a model for your fool hermit-dunderhead. Vy do you allow dot silly pusiness to come in der prain of her? Ach, dot poor little Miss Yohnsy.' 'She is very ill arid weak,' said Sue, 'and the fever has left her mind morbid and full of strange fancies. Very well, Mr. Behrman, if you do not care to pose for me, you needn't. But I think you are a horrid old - old flibberti-gibbet.' 'You are just like a woman!' yelled Behrman. 'Who said I vill not bose? Go on. I come mit you. For half an hour I haf peen trying to say dot I am ready to bose. Gott! dis is not any blace in which one so goot as Miss Yohnsy shall lie sick. Some day I vill baint a masterpiece, and ve shall all go avay. Gott! yes.' Johnsy was sleeping when they went upstairs. Sue pulled the shade down to the window-sill and motioned Behrman into the other room. In there they peered out the window fearfully at the ivy vine. Then they looked at each other for a moment without speaking. A persistent, cold rain was falling, mingled with snow. Behrman, in his old blue shirt, took his seat as the hermit-miner on an upturned kettle for a rock. When Sue awoke from an hour's sleep the next morning she found Johnsy with dull, wide-open eyes staring at the drawn green shade.

The guest reclined, inert, upon a chair, while the room, confused in speech as though it were an apartment in Babel, tried to discourse to him of its divers tenantry. A polychromatic rug like some brilliant-flowered, rectangular, tropical islet lay surrounded by a billowy sea of soiled matting. Upon the gay-papered wall were those pictures that pursue the homeless one from house to house - The Huguenot Lovers, The First Quarrel, The Wedding Breakfast, Psyche at the Fountain. The mantel's chastely severe outline was ingloriously veiled behind some pert drapery drawn rakishly askew like the sashes of the Amazonian ballet. Upon it was some desolate flotsam cast aside by the room's marooned when a lucky sail had borne them to a fresh port - a trifling vase or two, pictures of actresses, a medicine bottle, some stray cards out of a deck. One by one, as the characters of a cryptograph become explicit, the little signs left by the furnished room's procession of guests developed a significance. The threadbare space in the rug in front of the dresser told that lovely woman had marched in the throng. Tiny finger-prints on the wall spoke of little prisoners trying to feel their way to sun and air. A splattered stain, raying like the shadow of a bursting bomb, witnessed where a hurled glass or bottle had splintered with its contents against the wall. Across the pier glass had been scrawled with a diamond in staggering letters the name 'Marie.' It seemed that the succession of dwellers in the furnished room had turned in fury - perhaps tempted beyond forbearance by its garish coldness - and wreaked upon it their passions. The furniture was chipped and bruised; the couch, distorted by bursting springs, seemed a horrible monster that had been slain during the stress of some grotesque convulsion. Some more potent upheaval had cloven a great slice from the marble mantel. Each plank in the floor owned its particular cant and shriek as from a separate and individual agony. It seemed incredible that all this malice and injury had been wrought upon the room by those who had called it for a time their home; and yet it may have been the cheated home instinct surviving blindly, the resentful rage at false household gods that had kindled their wrath. A hut that is our own we can sweep and adorn and cherish.

'Oh, that stuff you gave me!' said Chunk broadening his grin; 'well, it was this way. I sat down at the supper table last night at Riddle's, and I looked at Rosy, and I says to myself, "Chunk, if you get the girl get her on the square - don't try any hocus-pocus with a thoroughbred like her." And I keeps the paper you give me in my pocket. And then my lamps falls on another party present, who, I says to myself, is failin' in a proper affection toward his comin' son-in-law, so I watches my chance and dumps that powder in old man Riddle's coffee - see?' moment immovable. For this odour belonged to Miss Leslie; it was her own, and hers only. The odour brought her vividly, almost tangibly before him. The world of finance dwindled suddenly to a speck. And she was in the next room - twenty steps away. 'By George, I'll do it now,' said Maxwell, half aloud. 'I'll ask her now. I wonder I didn't do it long ago.' He dashed into the inner office with the haste of a short trying to cover. He charged upon the desk of the stenographer. She looked up at him with a smile. A soft pink crept over her cheek, and her eyes were kind and frank. Maxwell leaned one elbow on her desk. He still clutched fluttering papers with both hands and the pen was above his ear. 'Miss Leslie,' he began hurriedly, 'I have but a moment to spare. I want to say something in that moment. Will you be my wife? I haven't had time to make love to you in the ordinary way, but I really do love you. Talk quick, please - those fellows are clubbing the stuffing out of Union Pacific' 'Oh, what are you talking about?' exclaimed the young lady. She rose to her feet and gazed upon him, round-eyed. 'Don't you understand?' said Maxwell restively. 'I want you to marry me. I love you, Miss Leslie. I wanted to tell you, and I snatched a minute when things had slackened up a bit. They're calling me for the 'phone now. Tell 'em to wait a minute, Pitcher. Won't you, Miss Leslie?' The stenographer acted very queerly. At first she seemed overcome with amazement; then tears flowed from her wondering eyes; and then she smiled sunnily through them, and one of her arms slid tenderly about the broker's neck. 'I know now,' she said softly. 'It's this old business that has driven everything else out of your head for the time. I was frightened at first. Don't you remember, Harvey? We were married last evening at eight o'clock in the Little Church Around the Corner.'