داستان کوتاه The Last Leaf صفحه 6

The next day the doctor said to Sue: 'She's out of danger. You've won. Nutrition and care now - that's all.' And that afternoon Sue came to the bed where Johnsy lay, contentedly knitting a very blue and very useless woollen shoulder scarf, and put one arm around her, pillows and all. 'I have something to tell you, white mouse,' she said. 'Mr. Behrman died of pneumonia today in hospital. He was ill only two days. The janitor found him on the morning of the first day in his room downstairs helpless with pain. His shoes and clothing were wet through and icy cold. They couldn't imagine where he had been on such a dreadful night. And then they found a lantern, still lighted, and a ladder that had been dragged from its place, and some scattered brushes, and a palette with green and yellow colours mixed on it, and - look out the window, dear, at the last ivy leaf on the wall. Didn't you wonder why it never fluttered or moved when the wind blew? Ah, darling, it's Behrman's masterpiece - he painted it there the night that the last leaf fell.' Presently Thomas moved tentatively in his seat, and thoughtfully felt an abrasion or two on his knees and elbows. 'Say, Annie,' said he confidentially, 'maybe it's one of the last dreams of the booze, but I've a kind of a recollection of riding in an automobile with a swell guy that took me to a house full of eagles and arc lights. He fed me on biscuits and hot air, and then kicked me down the front steps. If it was the d t's, why am I so sore?' 'Shut up, you fool,' said Annie. 'If I could find that funny guy's house,' said Thomas, in conclusion, 'I'd go up there some day and punch his nose for him.'

'This is the room,' said the housekeeper, from her furry throat. 'It's a nice room. It ain't often vacant. I had some most elegant people in it last summer - no trouble at all, and paid in advance to the minute. The water's at the end of the hall. Sprowls and Mooney-kept it three months. They done a vaudeville sketch. Miss B'retta Sprowls - you may have heard of her - Oh, that was just the stage names - right there over the dresser is where the marriage certificate hung, framed. The gas is here, and you see there is plenty of closet room. It's a room everybody likes. It never stays idle long.' 'Do you have many theatrical people rooming here?' asked the young man. 'They comes and goes. A good proportion of my lodgers is connected with the theatres. Yes, sir, this is the theatrical district. Actor people never stays long anywhere. I get my share. Yes, they comes and they goes.' He engaged the room, paying for a week in advance. He was tired, he said, and would take possession at once. He counted out the money. The room had been made ready, she said, even to towels and water. As the housekeeper moved away he put, for the thousandth time, the question that he carried at the end of his tongue. 'A young girl - Miss Vashner - Miss Eloise Vashner - do you remember such a one among your lodgers? She would be singing on the stage, most likely. A fair girl, of medium height and slender, with reddish gold hair and a dark mole near her left eyebrow.' 'No, I don't remember the name. Them stage people has names they change as often as their rooms. They comes and they goes. No, I don't call that one to mind.' No. Always no. Five months of ceaseless interrogation and the inevitable negative. So much time spent by day in questioning managers, agents, schools and choruses; by night among the audiences of theatres from all-star casts down to music-halls so low that he dreaded to find what he most hoped for. He who had loved her best had tried to find her. He was sure that since her disappearance from home this great water-girt city held her somewhere, but it was like a monstrous quicksand, shifting its particles constantly, with no foundation, its upper granules of to-day buried to-morrow in ooze and slime. The furnished room received its latest guest with a first glow of pseudo-hospitality, a hectic, haggard, perfunctory welcome like the specious smile of a demirep. The sophistical comfort came in reflected gleams from the decayed furniture, the ragged brocade upholstery of a couch and two chairs, a footwide cheap pier glass between the two windows, from one or two gilt picture frames and a brass bedstead in a corner.

داستان کوتاه The Coming-out of Maggie

EVERY SATURDAY NIGHT the Clover Leaf Social Club gave a hop in the hall of the Give and Take Athletic Association on the East Side. In order to attend one of these dances you must be a member of the Give and Take - or, if you belong to the division that starts off with the right foot in waltzing, you must work in Rhinegold's paper-box factory. Still, any Clover Leaf was privileged to escort or be escorted by an outsider to a single dance. But mostly each Give and Take brought the paper-box girl that he affected; and few strangers could boast of having shaken a foot at the regular hops. Maggie Toole, on account of her dull eyes, broad mouth and left-handed style of footwork in the two-step, went to the dances with Anna McCarty and her 'fellow.' Anna and Maggie worked side by side in the factory, and were the greatest chums ever. So Anna always made Jimmy Burns take her by Maggie's house every Saturday night so that her friend could go to the dance with them. The Give and Take Athletic Association lived up to its name. The hall of the association in Orchard Street was fitted out with musclemaking inventions. With the fibres thus builded up the members were wont to engage the police and rival social and athletic organizations in joyous combat. Between these more serious occupations the Saturday night hops with the paper-box factory girls came as a refining influence and as an efficient screen. For sometimes the tip went 'round, and if you were among the elect that tiptoed up the dark back stairway you might see as neat and satisfying a little welter-weight affair to a finish as ever happened inside the ropes. On Saturdays Rhinegold's paper-box factory closed at 3 p.m. On one such afternoon Anna and Maggie walked homeward together. At Maggie's door Anna said, as usual: 'Be ready at seven, sharp, Mag; and Jimmy and me'll come by for you.'

 داستان کوتاه A Service of Love

WHEN ONE LOVES ONES ART no service seems too hard. That is our premise. This story shall draw a conclusion from it, and show at the same time that the premise is incorrect. That will be a new thing in logic, and a feat in story-telling somewhat older than the Great Wall of China. Joe Larrabee came out of the post-oak flats of the Middle West pulsing with a genius for pictorial art. At six he drew a picture of the town pump with a prominent citizen passing it hastily. This effort was framed and hung in the drug store window by the side of the ear of corn with an uneven number of rows. At twenty he left for New York with a flowing necktie and a capital tied up somewhat closer. Delia Caruthers did things in six octaves so promisingly in a pine-tree village in the South that her relatives chipped in enough in her chip hat for her to go 'North' and 'finish.' They could not see her f -, but that is our story Joe and Delia met in an atelier where a number of art and music students had gathered to discuss chiaroscuro, Wagner, music, Rembrandt's works pictures, Waldteufel, wall-paper, Chopin, and Oolong. Joe and Delia became enamoured one of the other or each of the other, as you please, and in a short time were married - for (see above), when one loves one's Art no service seem too hard. Mr. and Mrs. Larrabee began housekeeping in a flat. It was a lonesome flat - something like the A sharp way down at the lefthand end of the keyboard. And they were happy; for they had their Art and they had each other. And my advice to the rich young man would be - sell all thou hast, and give it to the poor - janitor for the privilege of living in a flat with your Art and your Delia. Flat-dwellers shall endorse my dictum that theirs is the only true happiness. If a home is happy it cannot fit too close - let the dresser collapse and become a billiard table; let the mantel turn to a rowing machine, the escritoire to a spare bedchamber, the washstand to an upright piano; let the four walls come together, if they will, so you and your Delia are between. But if home be the other kind, let it be wide and long - enter you at the Golden Gate, hang your hat on Hatteras, your cape on Cape Horn, and go out by Labrador.